Small Demon
May 272010
 

So I’ve been studying Buddhism over the last year or so, after merely paying attention to it in my peripheral vision for the last decade. For me, that means books, of which I have accumulated a shelf full. I’ve discovered an entire universe of discourse & have only just begun to have a vague map & chronology of the intertwining traditions that make up “Buddhism,” which is not one thing, but many; a pluralist, I find this not only deeply satisfying, but consider that it underwrites the validity, even the truth claims, of Buddhism, since for a pluralist no single approach can be sufficient.

Of the various traditions, though, I have focused mostly on Zen. Of the various Buddhisms, Zen interests itself (more than the others) in literary & artistic matters. (In contrast, the early sutras of the Pali Canon have an outdoors, sunlit, brightly colored quality — a healthy-mindedness — that is also very attractive & that contrasts with Zen’s black & white brush strokes.)

Two main schools of Zen survive today from among the many that have flourished over the centuries since Bodhidharma traveled from the west bringing Buddhism to China in the 6th century. Both schools of Zen, the Soto & the Rinzai, make use of teaching stories called koans, but it is the dominant method in Rinzai, while it is treated more tangentially in the Soto school, which emphasizes “silent illumination.” (At least that is my understanding; experts should feel free to correct me.) In traditional Zen practice, koans are presented almost as law cases, with a brief statement, then the main narrative, then a commentary by one or more teachers, followed sometimes by a capping verse added by still another hand. Sometimes the cases are used by teachers to test students’ understanding; sometimes a student will use a particular case in meditation until it becomes clear — sometimes a matter of months or years! That’s the formal koan tradition & to be honest I don’t know all that much about it, but there is also what might be called an informal tradition of teaching stories that employs some of the same narratives and texts. Stories, I know something about.

That’s a long didactic run-up to mentioning two lovely little books from the Zen storytelling tradition, once ancient & one modern. The Sayings of Layman P’ang (translated by James Green) is a compilation of short conversations between the eponymous layman and various monks & masters. The Layman, who lived between 740 & 808 CE, gives new meaning to the word laconic:

At another time, the Layman asked Ma-tsu, “If you met someone who was a distinctly authentic person, how would you recognize him?” Ma-tsu directed his gaze downward. The Layman said, “Only you are able to play a tune on a stringless harp.” Ma-tsu looked up and the Layman bowed. Ma-tsu then returned to his room. The Layman followed him, saying, “Just now, I tried to trick you, but you made a fool out of me instead.”

The Buddhist tradition has other enlightened lay followers, most notably Vimalakirti, who loved during the Buddha’s time; the Vimalakirti Sutra is loquacious where P’ang’s sayings are hermetic. I prefer the Layman to the elaborations of Vimalakirti, but then I’ve always tended to respect silence — perhaps an odd trait for a poet & a fairly talkative one at that.

There is a blurb on the back of The Sayings of Layman P’ang from John Tarrant, an Australian Zen teacher & the author of Bring Me the Rhinoceros, a modern treatment of several traditional koans, along with some koan-like stories drawn from other traditions. Tarrant has a transparent and lucid prose style that does not get in the way of the stories he’s retelling and that serves the originals well without trying to displace or “improve” them. My favorite story in Tarrant’s book is based on a traditional koan, the title translated by Tarrant as “A Condolence Call,” is also known as “Daowu Won’t Say.” (Here is the formal version of the koan in John Daido Loori’s translation.) Tarrant takes this bare-bones bit of Zen scholasticism about Daowu & Jinyuan and turns it into a deeply human story about a student’s desire to understand & a teacher’s willingness to go to any length to help him. Tarrant adds some characterization & description in the manner of a modern storyteller and expands the narrative a bit; these modest changes, though, add up to something that does justice to the original story but is at the same time completely its own. Tarrant’s version is somehow more good-natured & humorous without in the least descending to parody. As both a teacher & a student, I find Tarrant’s version of this story deeply moving, profound without being freighted with “meaning.” That is, it is in the best Zen tradition, as I understand Zen.

[More koans.]

Dec 232009
 

Some of my friends know that I’ve been reading a lot about Buddhism and trying to meditate* daily. There is a whole universe of texts and practices out there, of course, and I have just begun to navigate around a few of the edges. For someone like me, who has had a life-long beef with the Christian God and with monotheism in general, Buddhism (at least in some of its aspects) presents an attractive non-theistic alternative to the alienated materialism sponsored by my culture’s  dominant scientism. When I get interested in a subject, I buy books and I already have a short shelf of books about Buddhism, along with some key Buddhist texts. I’ll probably write something about some of those in the future, but for the moment I just want to make note of a couple of translations by the American scholar Red Pine.

Bodhidharma was a fourth century Indian and is said to have brought Buddhism to China, though in fact we know there were monks in China by the first century of the current era. He is also said to have cut off his eyelids so he would not fall asleep while meditating–where his eyelids fell, tea bushes grew, the stimulant of choice for monks ever since. Bodhidharma meditated for nine years in a cave, staring at the back wall. Stonehouse [Ch’ing-hung] was an 11th century Chinese Zen master, abbot, and sometime hermit. What I like about both of these old Zen coots is their anti-dogmatic, pluralistic, down-to-earth approach to enlightenment. Since I don’t read Chinese, I am dependent on translators: these translations by Red Pine produce a tone that sounds authentic to my ear and a clarity of meaning that makes these texts–so distant in time and culture–useful to both readers who have an academic interest in them and to those who are in one way or another seeking enlightenment, though that term seems far too grand for the sort of thing I’m attempting when I sit down on the cushion to meditate.

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*The teacher Jon Kabat-Zinn suggests that when one begins to meditate one not tell anyone “for five or ten years,” an injunction I am clearly breaking here, but only briefly and in passing.

Oct 172009
 

Not a conversion experience, really. More like waking up one morning with the realization that I had become a Buddhist. William James said of religion that it is the “fruits not the roots” that are significant markers of belief and if that’s true, then I can say I practice Buddhism at least as much as most American Christians practice their religion. I have a shrine in my house to the historical Buddha and to Quan Am, the goddess of mercy. I meditate most days. I have been reading Buddhist texts and listening to Buddhist teachers on CDs. So, as the Vietnamese put it, Toi teo dao Phat Giao. I am a Buddhist.

Sep 062009
 

Even a little experience trying to cultivate what the Buddhists (and others) call “mindfulness” demonstrates one thing for certain: the mind is a chaos of voices. At least mine is. If the goal is to observe and ultimately come into some kind of harmony with the chaos of voices, that is a robustly active attitude that paradoxically emerges from what appears to be passivity; on the other hand, the Western materialist approach to the mind, which sees it as some kind of epiphenomenon of a biological system, is strangely passive, leaving one powerless over the voices because one has denied their existence as real things.

Apr 192009
 

My hotel is right across from Hanoi’s St. Joseph’s Cathedral, built by the French in, I think, 1889. It is a gray concrete hulk without much charm, it’s two towers modeled on Notre Dame. I hear the bells strike the quarter hours and a little faint singing from morning mass; but Sunday evening mass, it turns out, is a big occasion in the city. The church fills and there is a long service with music, chanting and at least two homilies. Because the priest enunciates for his congregation, I find I can pick out words and phrases from his flow of words. Not only does the church fill with worshipers, but the square in front of the cathedral also fills — with families on motorbikes and standing groups of worshipers. The service is broadcast on loudspeakers — the Vietnamese have a particular love of audio amplification — and there is a screen on the front of the cathedral so that the worshipers can see the priest at the alter.

I listened to the first part of the mass in my hotel room and then went out for dinner and heard the conclusion of the service booming through the open windows of the Moca Cafe. As the mass wound down, balloon sellers began to appear with their huge drifts of helium balloons in the shape of Mickey Mouse and other Western cartoon characters, for mass is a family affair and there were many families with small children streaming through the narrow streets when church was over. Only about ten percent of Vietnamese are Catholics, but the cathedral here and the ones in Hue and Saigon concentrate their visibility whereas the Buddhists and more general followers of Tam Giao are more dispersed.

Religion permeates Vietnamese life without dominating it and people seem genuinely tolerant of others’ beliefs, but I, as an outsider, can’t help seeing Catholicism as pushy and overly assertive — as taking advantage of Vietnamese tolerance. Probably because the Church is centralized whereas the temples and shrines are dispersed. (And I freely admit to a strictly personal bias against “organized religion,” being myself something of an American gnostic.) I have a great respect for that dispersed sort of religion — it’s one of the things I first noticed about Vietnam, that the sacred was not confined to official places and practices, but could be found anywhere, so naturally I find Vietnamese Catholicism a little froward, however sincere. And yet, as the service lets out, there is a feeling of goodwill and relaxed celebration among the worshipers and the non-worshipers — for commerce goes on around the cathedral even as mass is celebrated.