I had lunch with Snodgrass & some other students in 1980 after he gave a reading at Iowa, and though I was operating in a haze of self-involvement at the time, I recognized in Dee Snodgrass a kindrid spirit, if that’s not claiming too much. My own earliest poems were influenced by Sylvia Plath, Anne Sexton, James Wright, John Berryman, and (the somewhat younger) Bill Knott (who, I’m happy to say, is still out there making trouble) — Snodgrass coming a little later, along with Robert Lowell — so my work begins right in the heart of the confessional movement. Oddly, perhaps, I came to appreciate WCW only in my later undergraduate years & in particular through one class I took with Ronald Johnson (surely the odd man out in this collection of influences), who showed me the later poems of WCW, “Asphodel, That Greeny Flower,” “For Daphne and Virginia,” etc. & how they objectified the personal material they contained & it would be that combination of the confessional & the objective that would carry my work right through to the present, though my poems have become increasingly impersonal in recent years. In any case, that lunch with Snodgrass gave me heart at a difficult time in my life & I’m sorry to hear that he is gone.