Just finished reading Margaret Atwood’s Kindle Single short story, “Starved for You” & while I am a great admirer of her work, I have to say Atwood seems to be coasting here, or that it is the first chapter of something longer that didn’t pan out. It certainly ends as if there could & probably should be something more. But beyond that relatively superficial level of plot mechanics, the fictional world seems a little thin here. One might compare it, for instance, with the opening chapter of Oryx & Crake, where Atwood is writing at the very top of her form, to see what second-level Atwood looks like. The writing in this story remains graceful & stylish, but the imagination falters.
The story is set in a near-future dystopia in which prison communities run by a corporation †have been developed in which citizens spend half their time living as prisoners and the other half as “prisoner-civilians” in the gated community that surrounds the prison. For the residents, once you sign up it’s a lifetime commitment. One month as a prisoner, one month as a civilian tending the prison & surrounding town — for the rest of your life. As in Oryx & Crake, life outside the confines of the corporate community has degenerated into a nasty amalgam of poverty, criminality, and disease. People go into the Conciliance (for so the town is called) program because it offers them security, though at the cost of their freedom. Instead, they are given a simulacrum of freedom.
Predictably, for some characters the simulacrum proves insufficiently stimulating & it is from that dissatisfaction that Atwood fashions her plot, which revolves around unapproved sexual desire. But the characters, particularly Max, are cartoons. (Ah, it just occurred to me writing that last sentence, this would have made a good graphic novella.) In an interesting twist, one of the characters whose sex drive seems to be trying to compensate for her loss of freedom, has the job of euthanizing prisoners who cannot be reformed. It is a job she takes seriously & performs responsibly, feeling no conscious remorse. No sense of guilt or complicity clouds her idealism in performing this task & the scene in which we see her at work is deeply creepy, certainly the strongest in the story. Would that the sex scenes rose to this level. Perhaps if this story gets developed into something more, that will happen. The final scene of the story certainly suggests kinky possibilities.