In the burnished light of winter
the different greens reveal themselves –
pulse of spruce, metallic sheen of pine
& the glow of the cedar’s golden green:
Bright neon of moss where the wind
has kicked the snow away.
Hmm . . . looking at this now, I don’t like it as much as I did at first. Not crazy about those three uses of of in the middle part. And clearly, the poem is really just an excuse for the verb kicked, weakened, I see now, by has. (I had a hard time deciding between kicked & scuffed.) The problem is that the language doesn’t successfully embody the perception, which is that there are subtle differences between the kinds of green one sees in a winter landscape.