I've been reading the stories that fall in the middle of Jean Stafford's Collected Stories, most of which are set in the Rocky Mountains. When I first began reading Stafford, I saw her as a specialist in the grim, a chronicler of the unloved or insufficiently loved. Those impressions are not untrue, but they fail to describe Stafford's emotional range. As her story, "The Mountain Day" demonstrates, she is a writer with a deep understanding of love and of -- for lack of a better way of putting it -- maturity. She catches very precisely the personality on the edge between childhood and adulthood. She is also -- this came as a surprise to me -- a deeply class-conscious writer able to describe the self-delusion and self-hatred of the working class. See in particular, "The Tea Time of Stouthearted Ladies" and "The Healthiest Girl in Town," for examples of this class consciousness. Technically, the stories are so limpid that I never notice how they are put together. As someone trying to teach myself about writing fiction, I have to consciously backtrack over the texts and ask myself, "No, how the hell did she do that?" ___________________ Note: Good essay here by Jonathan Yardly about one of Stafford's novels, The Mountain Lion, which I have not yet read.