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	<title>Comments on: Open Letter to My Enemies</title>
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	<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/</link>
	<description>Joseph Duemer&#039;s blog about reading, writing, politics, birds, food, &#38; weather</description>
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		<title>By: jd</title>
		<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/comment-page-1/#comment-8727</link>
		<dc:creator>jd</dc:creator>
		<pubDate>Sat, 24 Jan 2009 18:43:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.sharpsand.net/?p=1074#comment-8727</guid>
		<description>I did borrow some rhythms for EP &amp; father Yeats, Ed. But they came unbidden, out of a felt need to make my soul, as an Irishman might say.</description>
		<content:encoded><![CDATA[<p>I did borrow some rhythms for EP &#038; father Yeats, Ed. But they came unbidden, out of a felt need to make my soul, as an Irishman might say.</p>
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		<title>By: edward mycue</title>
		<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/comment-page-1/#comment-8726</link>
		<dc:creator>edward mycue</dc:creator>
		<pubDate>Sat, 24 Jan 2009 16:20:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.sharpsand.net/?p=1074#comment-8726</guid>
		<description>joseph, further thought about your piece, this wonderfilled poem is that is gauzed in sorrow, not
sadness in the plural. a masterwork surely that re-notated in a traditional manner may suggest 
myriad antecedents who with clear memory lament  love life longing as song on the cusp of &#039;some other time&#039;. (thinking here from the leonard bernstein song from ON THE TOWN where two couples sing at the end of their time together before the two men are sent off to world war II: it&#039;s quieter than your poem but it has embedded in it
all--the other side of your coin.)edward mycue</description>
		<content:encoded><![CDATA[<p>joseph, further thought about your piece, this wonderfilled poem is that is gauzed in sorrow, not<br />
sadness in the plural. a masterwork surely that re-notated in a traditional manner may suggest<br />
myriad antecedents who with clear memory lament  love life longing as song on the cusp of &#8217;some other time&#8217;. (thinking here from the leonard bernstein song from ON THE TOWN where two couples sing at the end of their time together before the two men are sent off to world war II: it&#8217;s quieter than your poem but it has embedded in it<br />
all&#8211;the other side of your coin.)edward mycue</p>
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	<item>
		<title>By: edward mycue</title>
		<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/comment-page-1/#comment-8724</link>
		<dc:creator>edward mycue</dc:creator>
		<pubDate>Fri, 23 Jan 2009 23:22:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.sharpsand.net/?p=1074#comment-8724</guid>
		<description>this post has the ez poundian vinegar,anger,chagrin,&amp; high
blood pressure zingful rue.
but not ass/suring like his
any thing more than petulance
(and a fine piece of writing). 

remember ez&#039;s poem below? edward mycue
 
E.P. Ode Pour L&#039;election De Son Sepulchre by Ezra Pound

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain &quot;the sublime&quot;
In the old sense. Wrong from the start--

No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe&#039;s hair
Rather than the mottoes on sun-dials.

Unaffected by &quot;the march of events,&quot;
He passed from men&#039;s memory in l&#039;an trentuniesme
de son eage;the case presents
No adjunct to the Muses&#039; diadem.

II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;

Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The &quot;age demanded&quot; chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the &quot;sculpture&quot; of rhyme.

III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola &quot;replaces&quot;
Sappho&#039;s barbitos.

Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.

Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.

Faun&#039;s flesh is not to us,
Nor the saint&#039;s vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.

O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!

IV
These fought in any case,
And some believing,
pro domo, in any case...

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later...
some in fear, learning love of slaughter;

Died some, pro patria,
non &quot;dulce&quot; not &quot;et decor&quot;...
walked eye-deep in hell
believing old men&#039;s lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;

fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

V
There died a myriad,
And of the best, among them,
For an old bitch gone in the teeth,
For a botched civilization,

Charm, smiling at the good mouth,
Quick eyes gone under earth&#039;s lid,

For two gross of broken statues,
For a few thousand battered books.</description>
		<content:encoded><![CDATA[<p>this post has the ez poundian vinegar,anger,chagrin,&amp; high<br />
blood pressure zingful rue.<br />
but not ass/suring like his<br />
any thing more than petulance<br />
(and a fine piece of writing). </p>
<p>remember ez&#8217;s poem below? edward mycue</p>
<p>E.P. Ode Pour L&#8217;election De Son Sepulchre by Ezra Pound</p>
<p>For three years, out of key with his time,<br />
He strove to resuscitate the dead art<br />
Of poetry; to maintain &#8220;the sublime&#8221;<br />
In the old sense. Wrong from the start&#8211;</p>
<p>No, hardly, but seeing he had been born<br />
In a half savage country, out of date;<br />
Bent resolutely on wringing lilies from the acorn;<br />
Capaneus; trout for factitious bait;</p>
<p>Idmen gar toi panth, hos eni troie<br />
Caught in the unstopped ear;<br />
Giving the rocks small lee-way<br />
The chopped seas held him, therefore, that year.</p>
<p>His true Penelope was Flaubert,<br />
He fished by obstinate isles;<br />
Observed the elegance of Circe&#8217;s hair<br />
Rather than the mottoes on sun-dials.</p>
<p>Unaffected by &#8220;the march of events,&#8221;<br />
He passed from men&#8217;s memory in l&#8217;an trentuniesme<br />
de son eage;the case presents<br />
No adjunct to the Muses&#8217; diadem.</p>
<p>II<br />
The age demanded an image<br />
Of its accelerated grimace,<br />
Something for the modern stage<br />
Not, at any rate, an Attic grace;</p>
<p>Not, certainly, the obscure reveries<br />
Of the inward gaze;<br />
Better mendacities<br />
Than the classics in paraphrase!</p>
<p>The &#8220;age demanded&#8221; chiefly a mould in plaster,<br />
Made with no loss of time,<br />
A prose kinema, not, not assuredly, alabaster<br />
Or the &#8220;sculpture&#8221; of rhyme.</p>
<p>III<br />
The tea-rose tea-gown, etc.<br />
Supplants the mousseline of Cos,<br />
The pianola &#8220;replaces&#8221;<br />
Sappho&#8217;s barbitos.</p>
<p>Christ follows Dionysus,<br />
Phallic and ambrosial<br />
Made way for macerations;<br />
Caliban casts out Ariel.</p>
<p>All things are a flowing<br />
Sage Heracleitus say;<br />
But a tawdry cheapness<br />
Shall outlast our days.</p>
<p>Even the Christian beauty<br />
Defects&#8211;after Samothrace;<br />
We see to kalon<br />
Decreed in the market place.</p>
<p>Faun&#8217;s flesh is not to us,<br />
Nor the saint&#8217;s vision.<br />
We have the press for wafer;<br />
Franchise for circumcision.</p>
<p>All men, in law, are equals.<br />
Free of Pisistratus,<br />
We choose a knave or an eunuch<br />
To rule over us.</p>
<p>O bright Apollo,<br />
Tin andra, tin heroa, tina theon,<br />
What god, man or hero<br />
Shall I place a tin wreath upon!</p>
<p>IV<br />
These fought in any case,<br />
And some believing,<br />
pro domo, in any case&#8230;</p>
<p>Some quick to arm,<br />
some for adventure,<br />
some from fear of weakness,<br />
some from fear of censure,<br />
some for love of slaughter, in imagination,<br />
learning later&#8230;<br />
some in fear, learning love of slaughter;</p>
<p>Died some, pro patria,<br />
non &#8220;dulce&#8221; not &#8220;et decor&#8221;&#8230;<br />
walked eye-deep in hell<br />
believing old men&#8217;s lies, then unbelieving<br />
came home, home to a lie,<br />
home to many deceits,<br />
home to old lies and new infamy;<br />
usury age-old and age-thick<br />
and liars in public places.</p>
<p>Daring as never before, wastage as never before.<br />
Young blood and high blood,<br />
fair cheeks, and fine bodies;</p>
<p>fortitude as never before</p>
<p>frankness as never before,<br />
disillusions as never told in the old days,<br />
hysterias, trench confessions,<br />
laughter out of dead bellies.</p>
<p>V<br />
There died a myriad,<br />
And of the best, among them,<br />
For an old bitch gone in the teeth,<br />
For a botched civilization,</p>
<p>Charm, smiling at the good mouth,<br />
Quick eyes gone under earth&#8217;s lid,</p>
<p>For two gross of broken statues,<br />
For a few thousand battered books.</p>
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		<title>By: jd</title>
		<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/comment-page-1/#comment-8723</link>
		<dc:creator>jd</dc:creator>
		<pubDate>Fri, 23 Jan 2009 21:37:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.sharpsand.net/?p=1074#comment-8723</guid>
		<description>Alas, Pablo, you&#039;s probably know if you were! By the way, your comment went to the spam bin, though I have no idea why.</description>
		<content:encoded><![CDATA[<p>Alas, Pablo, you&#8217;s probably know if you were! By the way, your comment went to the spam bin, though I have no idea why.</p>
]]></content:encoded>
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		<title>By: Peter</title>
		<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/comment-page-1/#comment-8722</link>
		<dc:creator>Peter</dc:creator>
		<pubDate>Fri, 23 Jan 2009 17:33:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.sharpsand.net/?p=1074#comment-8722</guid>
		<description>JD’S VALENTINE

No one not able
of his own accord

no one not able
to affirm

is my love of paper or a screen
words just surfaces

to surf such excuses 
or else I’m delusional out in the garden

getting ready for the next ornery stage
always the medievalist

of organized doubt
cutting back

all the dead undergrowth
and myself.</description>
		<content:encoded><![CDATA[<p>JD’S VALENTINE</p>
<p>No one not able<br />
of his own accord</p>
<p>no one not able<br />
to affirm</p>
<p>is my love of paper or a screen<br />
words just surfaces</p>
<p>to surf such excuses<br />
or else I’m delusional out in the garden</p>
<p>getting ready for the next ornery stage<br />
always the medievalist</p>
<p>of organized doubt<br />
cutting back</p>
<p>all the dead undergrowth<br />
and myself.</p>
]]></content:encoded>
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		<title>By: Pablo</title>
		<link>http://www.sharpsand.net/2009/01/22/open-letter-to-my-enemies/comment-page-1/#comment-8721</link>
		<dc:creator>Pablo</dc:creator>
		<pubDate>Fri, 23 Jan 2009 12:15:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.sharpsand.net/?p=1074#comment-8721</guid>
		<description>Well, I&#039;m glad to see I&#039;m not in the list.</description>
		<content:encoded><![CDATA[<p>Well, I&#8217;m glad to see I&#8217;m not in the list.</p>
]]></content:encoded>
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