- I'll reduce the nmber of major texts and supplement them with critical essays. I've been using Graff's little handbook They Say / I Say & when I can get them to adopt its methods, my students are better writers. (I'm also looking at a similar book, Rewriting, by Joseph Harris, but it seems aimed more at advanced writers of academic prose.) But I have to do more in class with this "entering the conversation" trope. In fact, I have to have workshop sessions using student writing. So:
- I'm going to assign six two-page essays starting in week one, with one final essay of 5-6 pages that develops some idea from earlier writing. We will use these two-pagers in class to discuss the various kinds of moves you can make in writing. Basically, I'll do what I do in my creative writing workshops.
- Possible book list: The Book of Job (Mitchell translation), Utopia (More), Parable of the Sower (Butler), Oryx & Crake (Atwood), along with a simple text on evolution and a pocket style guide. [Great video here of Atwood discussing her novel.]
Just finished grading my last set of papers & now I'm on sabbatical until next September. The papers brought me up short, I must admit. They were from a freshman class and we had finished the semester reading Margret Atwood's Oryx & Crake, a very smart & entertaining book, I think. My students seemed to like it too, but their papers were, with only a few exceptions, dismal. I have to take some of the blame for this, though, because I should have gone over the basics of evolution with them before turning them loose on a novel about the hazards of genetic engineering for fun & pleasure. Many of them went wrong by assuming that evolution is teleological, i.e., that it leads inevitably to us. Others fouled up by assuming the meaning of "natural" to be self-evident. But the most breathtaking move -- which showed up several times -- was importing an entire metaphysics unexamined into an argument with a single sentence: We were put on earth for a reason. By whom & for what was never mentioned. What my students were really saying, I think, is something like "the world makes sense" -- a rejection of nihilism. That rejection might have been a good start, but I didn't get the chance to move them along since this was the final essay in the semester. Actually, I'm dissatisfied with the way I have structured the course. I like the content I've worked up since we rennovated the curriculum three years ago -- the authentic individual in a social context, the problems of establishing justice -- but the wriing element isn't really working. I've always just assigned four 3-5 page essays with opportunity for infinite revisions, but most of the essays turned in are essentially rough drafts. So when I go back to this class next year I'm going to make some changes.