Zbigniew Herbert: “Preliminary Investigation of an Angel” (1969)

Preliminary Investigation of an Angel

When he stands before them
in the shadow of a suspicion
he is still all
composed of light
the aeons of his hair
are pinned up in a bun
of innocence

the blood is helped on
with instruments and interrogations

with an iron ferrule
a slow fire
the limits of his body
are defined

a blow on his back
fixes his spine
between cloud and mudpuddle

after a few nights
the job is finished
the leather throat of the angel
is full of gluey agreement

how beautiful is the moment
when he falls on his knees
incarnate into guilt
saturated with contents

his tongue hesitates
between knocked-out teeth
and confusion

they hang him head downwards

from the hair of the angel
drops of wax run down
and shape on the floor
a simple prophecy

[trans. Alissa Valles]

This seems to me to be the way to write a political poem. Tangential, even cagey. Drawing on cultural symbols with deep emotional roots. A quiet voice speaking matter-of-factly about horrifying realities. In this poem, Herbert performs poetic jujitsu from stanza to stanza, keeping the reader off balance even as the lines themselves are phrase-based and do not disrupt the syntax of the poem.

Later: There is an optical phenomenon, or quality of the human eye, so that when you look just beside a faint object, you see it more clearly. I think poetry often operates like that. Herbert was writing during the Soviet domination of Poland, of course, so he had life/death reasons for being cagey; still, looking beside the thing, giving it an old, deep name instead of a modern one — especially when combined with a kind of deadpan voice — you get a poem that insinuates itself into the reader’s mind.

“A Soft Spot for The Band”

Gary Sauer-Thompson has a post with a link to a video of the late Richard Manuel singing “I Shall Be Released.” This resonated with me because I just finished reading John Nivin’s novella Music From Big Pink, which is a lightly fictionalized account of the period during which The Band recorded their first album. (The novella reads a little like a romance novel for aging rock fans, but I found it strangely affecting.) Nivin’s story has a particularly poignant account of Richard Manuel’s contribution to the music. Gary’s comments don’t seem to be working, so I’ll post what I wrote here:

Richard Manuel looks so old in that video & Robertson looks so young. As for Dylan in academia, you’ll be happy to hear I’m doing a bit on him in my Literature of American Popular Music course next semester. If you want to get a sense of Dylan’s roots in American traditional music — similar to The Band’s — try listening to World Gone Wrong & Good as I Been to You. In Chronicles, Dylan talks about developing a sense of “folksong logic” early in his career, while he was still roughing it in Greenwich Village & listening to the Harry Smith anthology records. The songs on these “roots” records represent Dylan’s real return to form, I think. (Speaking of Chronicles, what other pop star would use the the name of one of the books of the bible as the title of his autobiography?)

More on Copyright

A couple of days ago, the Dean of Arts & Sciences at my school forwarded this piece from the Chronicle of Higher Ed to me & several other people with an interest in such matters:

Washington — So a professor wants to show Monty Python and the Holy Grail to her class on British humor, and she wants to check with the film studio to get permission. How would she do that? As it stands, the semester could be over by the time the professor even finds the right person to ask.
A nonprofit group called the Copyright Alliance, whose members include associations for the motion-picture and recording industries, announced today that it would like to help broker such requests. The idea, described briefly at an academic symposium held by the group on Monday in Washington, is to create a Web site where professors could post questions like the the one above and get answers from an industry official. The online resource would take the form of a wiki, a communal Web site that allows visitors to easily post new comments and track the changes that have been made.
Patrick Ross, executive director of the Copyright Alliance, said in an interview after the symposium that he had been talking with alliance members from the content industry who were ready to proceed, assuming that colleges want such a system.
“We wanted to know what the temperature would be like in the academic community and felt that this event would be a way to take that temperature,” he said. “I think based on the conversations I’ve had and what I’ve heard on the panels, there’s cautious optimism.”
He said entertainment-industry officials favored setting up such a wiki in hopes that it would answer complaints from professors that industry representatives did not respond quickly enough to requests for educational use of their films and songs.
“They don’t mean to be uncooperative, it’s just that their businesses are not set up to be performing this service,” said Mr. Ross. He said that if another professor looked at the wiki and saw that a particular movie studio generally granted permission for classroom use, he could be assured that he could also use a film from that studio without getting specific permission. “They could go to their general counsel and say this is pretty comparable,” said Mr. Ross.
Patricia Aufderheide, a professor at American University, said in an interview after the event that such a wiki could do more harm than good.
“I’m worried about further copyright misinformation,” she said, noting that many times presentation of movie clips in classrooms falls under fair use, so that no permission is required.
She also disagreed with Mr. Ross over how useful the wiki would be as a source of guidance. “Having NBC saying I won’t sue you if you do this really won’t help the next guy because the situation will be different,” she said.
Mr. Ross said he planned to meet with key university officials working on copyright issues to see whether such concerns could be overcome.
“There’s going to have to be trust won on both sides, I think, for this to succeed,” he said. [Jeffrey R. Young]

As far as I know, the professor already has the right to show the movie & she doesn’t need any stinking wiki to tell her so. It’s called fair use. Presumably, she is not charging admission to the class session in which she shows the movie.

I wonder if Bruce Springsteen is aware that the Copyright Alliance, pretty obviously a front organization for “the content industry,” is using his image on their website. I contacted Patrick Ross, the executive director of Copyright Alliance, asking whether they had permission to use the picture. This was his response:

All of our photographs were authorized before being placed on the web site. It’s odd that you’re not the first to ask this, it’s not clear why anyone would feel a group that supports artists’ rights would disrespect artists by not seeking permission to use a photo.

I should have asked, of course, whether they had Springsteen’s permission. It is entirely possible that Springsteen himself is unaware of the use, or that he does not control the photograph. (To what extent does someone like Springsteen have control over the use of his image for political or commercial purposes? I don’t know.) In any case, the question occurred to me — as well as to others, apparently — because the kind of music Springsteen is devoted to — blues, ballads — would have been impossible had their creators been restricted by current copyright laws & policies. And in particular, had the view of the public domain been as these members of the Copyright Alliance would have it, the “content industry” would have served Woody Guthrie, Ledbelly, Howlin’ Wolf & the rest with legal notices. One can imagine what Guthrie would have done with such papers. Ultimately, art cannot be owned. Or it can be owned only in an alienated sense of ownership. Those who bring particular works into existence — in a just society — ought to get credit for them & be able to earn money from them; once that “creator” is gone, though, they ought to pass into the public domain.

As for Mr. Ross, he did not respond to my follow-up email, in which I wrote:

The “content industry” works tirelessly and expends large financial resources in order to subvert the original intention of the copyright provisions of the US Constitution. Rather than facilitating the distribution and use of intellectual property, the “content industry” relentlessly seeks to lock down ownership and limit distribution. As far as I can tell, your organization assists in this effort.

William Blake at 250

Blake’s work (and life) forms one of the central pillars of my poetics. I missed this piece by Terry Eagleton in The Guardian last month, on the occasion of William Blake’s 250th birthday:

Politics today is largely a question of management and administration. Blake, by contrast, viewed the political as inseparable from art, ethics, sexuality and the imagination. It was about the emancipation of desire, not its manipulation. Desire for him was an infinite delight, and his whole project was to rescue it from the repressive regime of priests and kings. His sense of how sexuality can turn pathological through repression is strikingly close to Freud’s. To see the body as it really is, free from illusion and ideology, is to see that its roots run down to eternity. “If the doors of perception were cleansed,” he claims, “everything would appear to man as it is, infinite.” Political states keep power by convincing us of our limitations.

Pasta Dough

Pasta Dough

I’ve been meaning to post a picture of the pasta extravaganza from a couple of weeks ago. Amy came over & we started from scratch, making the dough, three fillings, and two sauces. I’ll need to practice more rolling out the dough & handling it, especially making ravioli. Surprisingly, very few of the little pasta packages burst when we were cooking them and, anyway, it was one of the best meals I’ve contributed to in a long time. And one of the happiest. Playing in the kitchen — especially with a friend — is one of my greatest pleasures in life. Note: This is my first attempt to use Flickr to post directly to the blog. The link above goes to my Flickr page. Seems to work pretty well, though I wish it wouldn’t automatically add a line with “originally uploaded by . . .”