Alice in Wonderland

Posted on August 19, 2007
Filed Under Reading, Teaching |

I’m rereading Alice this week because I’m going to teach it in my first-year course this semester. What has struck me on this reading is not just the irrationality of the adult world from Alice’s point of view, but its stupidity & ugliness. The main themes of the course are childhood & adulthood, chaos & order, authenticity & alienation. Before Wonderland, though, we are going to spend a few days with Blake’s Songs of Innocence & Experience & Wordsworth’s “Immortality Ode” & T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” which carries Wordsworth’s poem to its logical conclusion. I’ll then use Alice & Italo Calvino’s The Baron in the Trees as a way into Mark Haddon’s The Curious Incident of the Dog in the Night-time & Nick Hornby’s About a Boy. We’ll conclude with Octavia Butler’s The Parable of the Sower. Alice, though, is the pivot upon which the course will turn.

Comments

4 Responses to “Alice in Wonderland

  1. Peter on August 21st, 2007 1:18 pm

    PIVOT ALICE

    Taking space
    makes time apart
    that part I get

    but if a mind was once
    what a diamond’s coal for today
    we would not be having
    this delusional charade

    where the bully always rises
    to the top before he’s stopped
    while that pale orchid justice
    blooms its few amazing seconds

    every hundred years or so even if
    every day we misted down the leaves
    we turned it gently every week.

  2. Robert on August 22nd, 2007 5:27 pm

    Sounds like a great course. Fascinating to use something as current as Haddon.

  3. jd on August 22nd, 2007 5:42 pm

    The Haddon was my university’s summer reading book for incoming freshmen this year.

  4. Robert on August 23rd, 2007 5:49 am

    Great to see such current literature being treated in undergraduate education. Seems like literary criticism has been allergic to anything published in its own century, just in case it didn’t end up standing the test of time. But making the connection between old warhorses and hot-off-the-press literature is critical to our understanding of continuity in the literary tradition.