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	<title>Comments on: Poets on Poetry Readings</title>
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	<link>http://www.sharpsand.net/2006/12/23/poets-on-poetry-readings/</link>
	<description>Joseph Duemer&#039;s blog about reading, writing, politics, birds, food, &#38; weather</description>
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		<title>By: Joseph Duemer</title>
		<link>http://www.sharpsand.net/2006/12/23/poets-on-poetry-readings/comment-page-1/#comment-54</link>
		<dc:creator>Joseph Duemer</dc:creator>
		<pubDate>Tue, 26 Dec 2006 13:27:05 +0000</pubDate>
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		<description>Paul, I&#039;ve given a few readings I really enjoyed. When you get into it, there is a kind of performance hight that sets in &amp; you feel a response from the audience. Obviously, it&#039;s not like playing lead guitar or anything. And the readings I have gone to in order to listen have been a very mixed affair. The best ones have been where the poet gets into the performance &amp; out of him or her self; the worst have been mere displays of egotism. One of the best readings I every went to was by Muriel Rukeyser shortly before her death. Around that same time I witnessed the most painful reading of my life, by Elizabeth Bishop. It was painful not because she read badly, but because she appeared to want to be anywhere but where she was. And the most electrifying reading I ever witnessed was by John Berryman -- he was so drunk everyone was waiting for him to fall off the stage; but in fact, he was so out of his mind that he delivered the &lt;cite&gt;Dream Songs&lt;/cite&gt; with manic energy. His speech between the poems was slurred, but not while reading / reciting them. It was like watching a very bright star just before it explodes.</description>
		<content:encoded><![CDATA[<p>Paul, I&#8217;ve given a few readings I really enjoyed. When you get into it, there is a kind of performance hight that sets in &#038; you feel a response from the audience. Obviously, it&#8217;s not like playing lead guitar or anything. And the readings I have gone to in order to listen have been a very mixed affair. The best ones have been where the poet gets into the performance &#038; out of him or her self; the worst have been mere displays of egotism. One of the best readings I every went to was by Muriel Rukeyser shortly before her death. Around that same time I witnessed the most painful reading of my life, by Elizabeth Bishop. It was painful not because she read badly, but because she appeared to want to be anywhere but where she was. And the most electrifying reading I ever witnessed was by John Berryman &#8212; he was so drunk everyone was waiting for him to fall off the stage; but in fact, he was so out of his mind that he delivered the <cite>Dream Songs</cite> with manic energy. His speech between the poems was slurred, but not while reading / reciting them. It was like watching a very bright star just before it explodes.</p>
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		<title>By: Paul Lamble</title>
		<link>http://www.sharpsand.net/2006/12/23/poets-on-poetry-readings/comment-page-1/#comment-51</link>
		<dc:creator>Paul Lamble</dc:creator>
		<pubDate>Tue, 26 Dec 2006 11:41:03 +0000</pubDate>
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		<description>I&#039;ve often wondered that about poetry (and other) readings. They&#039;ve always struck me as being for the great benefit of the adoring audience rather than to any tangible good for the poet. But not being a poet or a public reader, I can&#039;t be sure.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve often wondered that about poetry (and other) readings. They&#8217;ve always struck me as being for the great benefit of the adoring audience rather than to any tangible good for the poet. But not being a poet or a public reader, I can&#8217;t be sure.</p>
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